Thought Projections Are Nothing but Scenarios We Construct About Others and Are the Products of Our Own Closed-Mindedness. Report on the "Living Philosophy" Project. This text is a reflection on Projections. The aim here is to show that it is necessary to go beyond the Freudian concept to offer a more open reading of the concept of projections. The term is taken in its true sense. Projection is mainly used today in the world of cinema and entertainment. To be victim (...) of a projection is to “make himself is proper film” of reality and live in an imaginary world. Our idea is to maintain that these projections develop in the era of the spectacle which is ours. The term “société du spectacle” is borrowed from Guy Debord. However, we distinguish ourselves from him by maintaining that the spectacle is only an epiphenomenon which is only the result of a culture of secret itself produced by contemporary narcissism. This work is the continuation of a series of conferences which are organized within the framework of a movement called Living Philosophy. This movement aims to bring philosophy back to life by leading it into living spaces and bringing it down into bodies, streets and villages. To do this, she wants to be creative and bring together the Ancients, the Moderns and the post-moderns. Living Philosophy is a movement built on the idea of dialogue and mediation. (shrink)

The thesis analyses the relation between Rousseau’s musical writings and elements of his moral, social and linguistic philosophy. In particular, I am concerned to demonstrate: (i.) how the core of Rousseau’s theory of musical imitation is grounded in the same analysis of the nature of man which governs his moral and social philosophy; (ii.) how this grounding does not extend to the stylistic prescriptions the justification of which Rousseau intended his musical writings to offer. The central argument draws on Rousseau’s (...) analysis of the origin of man as distinctively human. This origin extends to the awareness of moral and aesthetic value, and to communication in speech and song. Rousseau’s moral analyses of social and political life usually take the form of relating contemporary practice to the original structure in which man’s awareness of his own good is commensurate with that of the good of others. The analysis of music follows a similar model: music is to be considered good in so far as it replicates, or faithfully reflects, the original model of communication. The value of music is thereby understood to extend to moral as well as aesthetic goodness. Given the subtlety of Rousseau’s understanding of the ‘origin’, I argue that this analysis of music’s aesthetic value is powerful and far‐ reaching in its relevance for contemporary musical aesthetics. However, I also argue that while the analysis in general is good in this way, it does not entail the specific kind of musical‐stylistic preferences which Rousseau sought to use it to advance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE PLACE OF RENE GIRARD IN CONTEMPORARY PHILOSOPHY Guy Vanheeswijck University ofAntwerp and ofLeuven Iwould like to start by quoting a text which is likely to be recognized by everyone, who is even on a superficial level familiar with the work of René Girard: Desire that bears on a natural object is only human to the extent that it is mediated by the desire of another bearing on the (...) same object: it is human to desire what others desire, because they desire it. Thus an object that is perfectly useless from a biological point of view (such as a medal, or the enemy's flag) can be desired because it is the object of other desires. Such a human desire, and human reality as it differs from animal reality, is only created by the action that satisfies such desires. Human history is the history of desires that are desired [Désirs désirés]. Undoubtedly, these could be words written by Girard. However, they are not. These words are quoted from the famous lectures given by Alexandre Kojève on Hegel's Phänomenologie des Geistes at the Ecole pratique des hautes études between 1933 and 1939. They were followed by what would become the crème ofpost-war French philosophy: Raymond Aron, Georges Bataille, Alexandre Koyré, Pierre Klossowski, Jacques Lacan, Maurice Merleau-Ponty, Jean-Paul Sartre.' Kojève's interpretation ofHegel has, as generally known, become the point ofreference to the post-war twentieth ' Although Sartre himselfcould not attend the lectures (at that time he taught philosophy in Le Havre en Laon), he must have heard from it by way of Aron or Merleau-Ponty. 96Guy Vanheeswijck century philosophy in France. Before 1930 the word "dialectic" was burdened with an odium of sin, after 1930 it became a word—thanks to Kojève —radiant with prestige. Before 1930 there had been no talk of an Hegelian school whatsoever in France, after 1930 the situation changed so drastically that Merleau-Ponty was able to write these often quoted lines in 1946: Hegel is at the origin of everything that has been great in philosophy for over a century; for example Marxism, Nietzsche, phenomenology and German existentialism, psychoanalysis. He inaugurates the attempt to explore the irrational and to integrate it within a wider rationality that remains the philosophical task of our century. (Sens et non-sens 109-110) Half a century later, these words have lost their self-evident character. While the generation of French thinkers between 1930 and 1960 stresses its dependence on Hegel, the generation after 1960 heavily reacts against him. In 1970 Michel Foucault gave his inaugural speech at the Collège de France. On behalf of his generation he testified to a generalized antiHegelianism at that moment: "Our entire epoch, whether through logic or epistemology, whether through Marx or Nietzsche, seeks to evade Hegel's Imperium [échapper à Hegel] (L'Ordre du discours 74). Obviously, René Girard belongs to the second generation, which, on the one hand, embroiders on the theme ofdesire, borrowed from Kojève's interpretation ofHegel, but, on the other, in its search for answers precisely wishes to get rid of Hegel. But, is it correct to call René Girard a philosopher? His schooling was that of an historian. In 1947 he graduated in Paris as an archivistepal éographe at the Ecole de Chartres: his thesis was "La vie privée à Avignon dans la seconde moitié du XVe siècle." Three years later—in the meantime he had emigrated to the United States—he received his Ph.D. at the faculty of history of the University of Indiana. The topic of his dissertation was "American opinion ofFrance, 1940-1943." However, he has never worked as a professional historian. He owes his reputation first and foremost to his literary analyses, subsequently to his research in anthropology, finally to his exegesis ofthe Bible. Time and again, Girard has expressed his preference for literature to both humanities and philosophy. Human behavior is, in his view, much less elucidated by the conceptual structures of discursive philosophy than by the evocative force of a Greek tragedy, the Biblical passion story or a modern novel. One might retort that René Girard... (shrink)

Positions is a collection of three interviews with Jacques Derrida that illuminate and make more accessible the complex concepts and terms treated extensively in such works as Writing and Difference and Dissemination. Derrida takes positions on his detractors, his supporters, and the two major preoccupations of French intellectual life, Marxism and psychoanalysis. The interviews included in this volume offer a multifaceted view of Derrida. "Implications: Interview with Henri Ronse" contains a succinct statement of principles. "Seminology and Grammatology: Interview with (...) Julia Kristeva" provides important clarifications of the role played by linguistics in Derrida's work. "Positions: Interview with Jean-Louis Houdebine and Guy Scarpetta" is a wide-ranging discussion that touches on many of the polemics that Derrida's work as provoked. Alan Bass, whose translation of Writing and Difference was highly praised for its clarity, accuracy, and readability, has provided extremely useful critical notes, full of vital information, including historical background. (shrink)

Heartbreaking stories and pictures documenting the phenomenon of populations displaced by climate change—homes, neighborhoods, livelihoods, and cultures lost. "Our job is to tell stories we have heard and to bear witness to what we have seen. The science was already there when we started in 2004, but we wanted to emphasize the human dimension, especially for those most vulnerable." —Guy-Pierre Chomette, Collectif Argos We have all seen photographs of neighborhoods wrecked and abandoned after a hurricane, of dry, cracked terrain that (...) was once fertile farmland, of islands wiped out by a tsunami. But what happens to the people who live in these areas? According to the United Nations, some 150 million people will become climate refugees by 2050. The journalists and photographers of Collectif Argos have spent four years seeking out the first wave of people displaced by the consequences of climate change. Using the massive 2,500-page report of the Intergovernmental Panel on Climate Change as their guide, these photographers and writers pinpointed nine locales around the world in which global warming has had a measureable impact. In Climate Refugees, they take us to these places—from the dust bowl that was once Lake Chad to the melting permafrost in Alaska—offering a first-hand look in words and photographs at the devastating effects of rising global temperatures on the daily lives of ordinary people. Climate Refugees shows us damage wrought to homes and livelihoods by rapid warming near the Arctic; rising sea levels that threaten the island nations of Tuvulu, the Maldives, and Halligen; farmers displaced by the desert's advance in Chad and China; floods that wash away life in Bangladesh; and Hurricane Katrina evacuees in shelters far away from their New Orleans neighborhoods. Added to the devastating environmental effect of climate change is the immeasurable and irretrievable loss of ethnic and cultural diversity that occurs when vulnerable local cultures disperse. It is this often forgotten and tragic consequence of global warming that Collectif Argos painstakingly documents. Collectif Argos Guy-Pierre Chomette Guillaume Collanges Hélène David Jérômine Derigny Cédric Faimali Donatien Garnier Eléonore Henry de Frahan Aude Raux Laurent Weyl Jacques Windenberger. (shrink)

In the history of Christian thought, St Bonaventure stands out as the pre-eminent Franciscan philosopher of the 13th century and as a key figure in the development of the spiritual theology of the Church. The four studies which constitute this volume present detailed investigations into some of the principal sources from which Bonaventure drew his inspiration, from Antiquity through to St Bernard in the century before his own. Proceeding from a careful analysis of the quotations he makes from these sources, (...) the studies make clear the precise extent and nature of their importance in Bonaventure¿s own thought, and the manner in which he selected ideas and used them to serve his own purposes. The first two pieces focus on the influence exerted by the Pseudo-Dionysius, in particular as concerns his notion of hierarchy; this became a central and fertile theme in the work of the Franciscan. Father Bougerol shows how Bonaventure interpreted and developed it, in the process transforming it into a meditation on the relationship between man and God. This emphasis also emerges in the third study, on his attitude towards Aristotle, which demonstrates Bonaventure¿s deliberate progress towards the elaboration of his spiritual theology. (shrink)

This book offers a solution for the problem of structure and agency in sociological theory by developing a new pair of fundamental concepts: metric and nonmetric. Nonmetric forms, arising in a crowd made out of innumerable individuals, correspond to social groups that divide the many individuals in the crowd into insiders and outsiders. Metric forms correspond to congested zones like traffic jams on a highway: individuals are constantly entering and leaving these zones so that they continue to exist, even though (...) the individuals passing through them change. Building from these concepts, we can understand “agency” as a requirement for group identity and group membership, thus associating it with nonmetric forms, and “structure” as a building-up effect following the accumulation of metric forms. This reveals the contradiction between structure and agency to be a case of forced perspective, leaving us victim to an optical illusion. (shrink)

The article combines the research strategies developed by Bruno Latour and Niklas Luhmann to problematize how we interpret the world when discussing globalization. Two previous approaches – global modernity and global consciousness – interpret the world as completely objective (nature transcends culture). Another approach – global governmentality – interprets the world as completely subjective (culture transcends nature). Against these approaches, this article proposes a new one: the symmetrical anthropology (or sociology) of globalization. Inspired by Latour’s variable ontologies, it considers multiple (...) descriptions of the world and multiple descriptions of society simultaneously. It considers globalization as one description of society and searches for the description of the world corresponding to it. It distinguishes three descriptions of the world: (1) the world as natural order; (2) the world as external object; and (3) the world as levels of organization. It is argued that the description of the world that is the most closely connected with globalization is the third one. (shrink)

Ces Entretiens sont à la fois l'autobiographie intellectuelle d'un des philosophes les plus au fait de quelques-uns des grands débats contemporains et un plaidoyer pour un style de pensée modeste, rigoureux et ironique. Jacques Bouveresse appartient à cette génération des jeunes assistants qui, dans les années 1960 montèrent à l'assaut d'une Sorbonne un peu poussiéreuse et à dominante spiritualiste. La véritable nouveauté pour lui ne fut cependant ni la linguistique, ni le marxisme, ni la psychanalyse, mais la logique " (...) moderne " qu'on tenait alors pour exotique et marginale. Adversaire-né de tous les conformismes, introducteur en France des philosophes logiciens Frege, Russell, Carnap contenté de plaider pour la philosophie analytique ; il a tracé d'emblée la voie d'une certaine résistance intellectuelle, qui s'alimente autant à l'ironie viennoise d'un Kraus ou d'un Musil, qu'à une relecture très personnelle de Nietzsche. (shrink)

This article discusses symmetry as an analytical tool for sociological analysis. Symmetry is presented as a property of social formations and a way to generate information about them through their mutual comparisons. The concept thus displaces the old dichotomy between individual and society. The latter forces to think in terms of wholes and parts, unduly limiting the possibilities at hand by keeping individuals as prisoners of societies, as it were. Symmetry opens the door for more alternatives by making room for (...) more social formations at the same time. To develop this concept, the article turns to both Niklas Luhmann’s systems theory and Harrison White’s network theory which are presented as enacting an “order from noise” approach (as opposed to an “order from order” approach). The article then reconstructs a whole spectrum going from social formations at a high level of symmetry to social formations at a low level of symmetry. At the first end, we have social formations like groups that define the identities of persons (or even define persons as identities). At the other end, we have entire functional sectors (like politics, science, law, economy, etc.) whose chief characteristic is to be asymmetric to each other (so that doing politics, for instance, is unlike doing science and vice-versa). (shrink)

Laboratoire de Neurosciences Cognitives et Imagerie Ce´re´brale (LENA), Hoˆpital de La Salpeˆtrie`re, Centre National de la Recherche Scientifique (CNRS).

This article studies the idea of Corporate Social Performance (CSP) from a critical perspective using empirical elements derived from analysis of year 2000 ARESE data. ARESE is the French first mover social rating agency providing quantified data about the Social Performance of French companies. The paper starts out by reviewing leading CSP models and discussing problems inherent to the measurement of this construct before going on to present and analyse ARESE data - whose suitability for existing models will be discussed.

These two thinkers confront the issues surrounding public support for the arts through d'Alembert's original proposal, Rousseau's attack, and the first English translation of d'Alembert's response as well as correspondence relating to the exchange.".

Cet entretien revient sur l’histoire des oppositions de gauche en URSS (notamment trotskystes, mais pas uniquement) et sur l’évolution actuelle de la Russie post-soviétique. Il critique les approches considérant l’URSS comme un « capitalisme d’État » et analyse les transformations à l’œuvre de la Russie contemporaine, notamment en terme de rapports de propriété. La nomenklatura joue un rôle contradictoire, tenant à conserver le contrôle de l’État tout en impulsant une vague de privatisations sous pression internationale.

Ecrits entre 1772 et 1776, les trois dialogues de Rousseau juge de Jean-Jacques apparaissent à première lecture comme une extension délirante des derniers livres des Confessions. Cette écriture du cauchemar repose en réalité sur une structure idéologique d'une extrême rigueur et révèle une logique fantasmatique d'une effrayante complexité, que l'on pourra comparer avec cet autre texte au sujet " abominable " qu'est Le Lévite d'Ephraïm, poème en prose composé par Rousseau sur la route de l'exil en juin 1762.